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  • In the Palace of Nezahualcoyotl: Painting Manuscripts, Writing the Pre-Hispanic Past in Early Colonial Period Tetzcoco, Mexico (William & Bettye Nowlin Series in Art, History, and Culture);
  • Algo privado/Memoria del olvido (Intriga) (Spanish Edition).
  • Brahms: Waltzes for piano four-hands.
  • Performance Hints & Techniques in Piano Playing;

Choose your store. Benjamin Grosvenor is not only the first British pianist to be signed by Decca since the days of Clifford Curzon, Peter Katin and Moura Lympany, but also the youngest British artist ever to be signed to the label. Just as significantly, this acknowledgement has not come on the back of a major competition. Frankly, Grosvenor is too interesting and too individual to win any of them.

Having said that, I think he misjudges the first of the Four Scherzos he orders them 1, 4, 3 and 2. After this undeniably exciting reading, Grosvenor inserts a single Nocturne as a counterweight between each Scherzo. Good programming. This is music-making with a smile on its face. In brief, I am delighted that this prodigiously gifted young musician is on his way, on the right label and launched at last on what will surely be an important international career. Presenting them in their published order, followed by the 11 posthumous waltzes with and without opus numbers, Ingrid Fliter sets a new benchmark for the complete Waltzes.

From beginning to end, this is among the finest Chopin recordings of recent years. Each waltz emerges as if a great actress were reading a short story, each with its own colour and character. In addition, the superbly voiced piano is realistically recorded, neither too distant in that impersonal back-of-an-empty-hall way nor so close that the instrument is not allowed to sing. Dip into any section of any Waltz at random and you will hear a version to supersede, or at least rival, your current personal favourite. Fliter stays faithful to the spirit of the composer without denying her own keyboard personality.

Not all major pianists play Chopin but many who do have expressed a good deal of themselves through the Waltzes.

Frédéric Chopin: Walzer: Piano

Brilliance and allure are required, of course, and so are reflective, interior qualities. The many repeated sections in the Waltzes can derail even cultivated pianists, who may keep your attention for a while but who then become predictable.

Chopin - Waltz Op. 64 No. 2 (Rubinstein)

Once predictability sets in, you tend to feel there is no hope. Chopin would have had a fit at the thought of us listening to his eight published Waltzes together on the trot, or the unpublished ones which follow them here. Once engaged with Stephen Hough, though, you will stick with him, I feel sure, and with increasing pleasure: less is not more but not enough, and a cumulative quality begins to build that one is reluctant to break.

Frédéric Chopin "Waltzes & Nocturnes". See Siang Wong

The demand for a special kind of virtuosity, directed towards the natural exuberance of the dance, he meets here to perfection, and he meets another challenge which the merely accomplished virtuoso may not even be aware of: to use sound to command precise musical character.

The nine securely authenticated pieces immediately follow the published ones here, a further three of more doubtful provenance being added after that. As compositions, the nine may not be as sophisticated as the concert waltzes, but are no less characteristic of him, and Hough shows they repay treatment as detailed and thoughtful as the rest require. Modeling combo amp for electric guitar Built-in wireless receiver compatible with the Line6 Relay G10 transmitter Art.

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Waltzes for 4 hands, available via col legno - New colors of music

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